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3x11 Recipe for Murder
First Aired: Jan. 09, 2003 on CBS
Summary: When a gruesome murder occurs at a slaughterhouse, Grissom and Catherine team up to find the culprit. Meanwhile, Sara and Warrick work to find out if whether an apparent suicide of a young woman is as is seems or if foul play was involved. |
Main Characters in this Episode
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Episode Quotes
Gil Grissom: [after identifying the kitchen knife used to dismember a chef] "Let us carve him as a dish fit for the gods"
Catherine Willows: I'm going to guess Shakespeare.
Gil Grissom: Julius Ceaser.
Catherine Willows: I'm going to guess Shakespeare.
Gil Grissom: Julius Ceaser.
The Hostess: Hi, last name?
Gil Grissom: We don't have reservation. We're here...
The Hostess: [taking back the phone] Party of four? Three weeks from Thursday? Let me see...
Catherine Willows: Excuse me but you don't understand...
The Hostess: [holding up the phone] No, I'm sorry you don't understand. Your walk-in's in a very busy night. We're short a chef.
Catherine Willows: We know. He's dead.
Gil Grissom: Not only dead. Dismembered. We're with the crime lab.
The Hostess: [putting down the phone] I'll get the owner.
Gil Grissom: We don't have reservation. We're here...
The Hostess: [taking back the phone] Party of four? Three weeks from Thursday? Let me see...
Catherine Willows: Excuse me but you don't understand...
The Hostess: [holding up the phone] No, I'm sorry you don't understand. Your walk-in's in a very busy night. We're short a chef.
Catherine Willows: We know. He's dead.
Gil Grissom: Not only dead. Dismembered. We're with the crime lab.
The Hostess: [putting down the phone] I'll get the owner.
Gil Grissom: [Grissom to Willows, struggling to remove a dismembered hand caught in a meat grinder] I'm gonna need a hand.
Mistakes/Goofs
- Goof (errors made by characters, possibly deliberate errors by the filmmakers): Catherine Willows incorrectly to refers to the album "Meat is Murder" as being by Morrisey. That album is by The Smiths, who were fronted by Morrisey.
Trivia
- The episode takes several cues from Anthony Bourdain's autobiography "Kitchen Confidential," such as the flicking of blood around the kitchen after cutting oneself and the phrase "don't touch my knife, don't touch my johnson." The notion of someone being murdered in the kitchen and a chef butchering the corpse for disposal had previously been featured in Bourdain's first novel "Bone in the Throat."
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