- SPOILER: Ridley Scott has considered directing a sequel to this film at various times. Some sequel scripts were published as novels. While working on the Final Cut DVD in 2007, Scott again considered a follow-up detailing the lives of Rachel and Deckard after the events of the first film. Actress Sean Young expressed great interest in reprising her character. At the 2007 Comic-Con, Scott again announced that he is considering a sequel to the film, and by September 2008, Travis Wright (II) was writing the screenplay, working in conjunction with John Glenn (IV). According to Glenn, the script explores the nature of the Off-World colonies, and examines what happens to the Tyrell Corporation in the wake of its founder's death. As of April 2009 however, there have been no further developments.
- Towards the end of principal photography an incident occurred which has become known as the T-shirt war. The majority of the crew didn't enjoy working on the film, and didn't like working for Ridley Scott, who they considered to be cold and distant. In an article in the British press, Scott commented that he preferred working with English crews because when he asked for something they would say, "Yes gov'nor" and go get it, but things weren't that simple with American crews. Makeup supervisor Marvin G. Westmore saw the article and was disgusted. In retaliation, he had t-shirts printed with "Yes gov'nor my ass!" on the front, and either Will Rogers never met Ridley Scott" or "You soar with eagles when you fly with turkeys" on the back. In retaliation, Scott and several of his closer collaborators had t-shirts made with "Xenophobia sucks" on them.
- Movie Goof (revealing mistake): In the opening shot of the refinery, the fireballs appear out of sync with the "firelight" hitting the stacks. (This was corrected in the 2007 Final Cut.)
- This was one of the first major films to be reissued years later in a "director's edition" in which the director was allowed to restore edited footage or otherwise make changes more closely reflecting his original vision. Today, such later "revision" of films is commonplace.
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